- At the ending of the narrative the two flat owners may not meet, this will build on the mystery aspect of the narrative.
- May want to have writing/ information on the back of the two photos, so when the photographs are held together by the flat owner, she will turn them around to find even more significance- this may be the date or location of the family photograph.
- Need a better reason for Flat Owner B to leave her door open.
- Photograph may re jog a memory for Flat Owner A.
- Sentimental object seen instead of a photograph?
- Consider context further.
- Letter to make Flat Owner A suspicious of Flat Owner B's room?
- Photograph dropped in doorway instead of being pinned on a board.
- Start to photograph ideas for next feedback.
- May want to simplify the narrative slightly.
Tuesday, 16 October 2012
Second feedback
A few days ago I went to my second feedback session. I took with me the storyboard and shot list (seen a few posts below). Last time, the fire exit I planned to have opposite the flat seen in the given photo proved the problem, as normally a fire exit wouldn't be situated directly opposite, so I went back and thought of a simalar story but one that involved a flat opposite instead of a fire exit. Here was what was said about this storyboard/ shot list and suggestions on how to develop/ carry it forward to photographs.
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